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L’ivresse du corps et de l’être dans La dernière bande de Samuel Beckett

Abstract : In the theatre of Samuel Beckett, the representation of the character on stage becomes more and more problematic. There is a certain disembodiment of the individual, although the body is the source of his perception and his collection of information about the world. Human staggers and wobbles, forward and backward, to change his mind right after. Behavior changes, moods vary significantly or brutally, raising questions about human mental integrity.
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https://hal.univ-guyane.fr/hal-03173364
Contributor : Mirlène Matillon <>
Submitted on : Thursday, March 18, 2021 - 2:12:26 PM
Last modification on : Friday, March 19, 2021 - 3:28:35 AM

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Mylène Danglades. L’ivresse du corps et de l’être dans La dernière bande de Samuel Beckett. Nouvelle Fribourg, 1, 2015. ⟨hal-03173364⟩

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